(Firevein Saga Book 1)
By Hanna Park
Writing became my lifeline: a way to step beyond my pain, to shape my experience into a story, and to find meaning where there had once been only endurance.
I have a lifelong love of children, Counselling, and Psychotherapy Theory and history.
Rating: ⭐⭐⭐⭐⭐
Cover Art: ⭐⭐⭐⭐⭐
The story follows Monika Graf, a woman living a comfortable life in Vienna who never expects to find herself drawn into something dangerous and life-changing. After witnessing the treatment of Jewish families under Nazi rule, she makes a split-second decision that completely alters the course of her life. From that point on, what begins as a single act of compassion slowly grows into something much larger, and far more risky than she could have imagined.
At first, the story feels quite grounded in everyday life, but there’s an immediate sense that something isn’t right. The tension builds through small moments — the way people behave, what’s left unsaid, and the constant presence of authority watching from the background. It creates this underlying unease that never really goes away, which I thought worked really well. The book doesn’t overwhelm you with action, but instead lets the pressure build gradually.
There’s also a strong emotional thread running throughout the story, particularly in the relationships Monika forms along the way. Her connection with Janik develops under difficult circumstances, which gives it a sense of urgency and depth rather than a traditional slow build. It doesn’t feel overly romanticised, but instead shaped by everything happening around them, which made it feel more believable.
I did find it quite a slow read in places, especially as the author takes time to build the setting and atmosphere. Personally, I appreciated that, as it made everything feel more real and immersive, but I can see that it might not suit readers who prefer a faster pace.
The ending is powerful and doesn’t shy away from the reality of the situation. It doesn’t try to neatly resolve everything, but instead leaves you reflecting on what the characters have been through and what it all means. It’s not an easy ending, but it feels appropriate for the story being told.
A moving and thought-provoking read that lingers long after the final page.
John Anthony Miller writes all things historical—thrillers, mysteries, and romance. He sets his novels in exotic locations spanning all eras of space and time, with complex characters forced to face inner conflicts—fighting demons both real and imagined. He’s published twenty novels and ghostwritten several others, including Another Soul Saved. He lives in southern New Jersey.
Penny Hampson writes mysteries, and because she has a passion for history, you’ll find her stories also reflect that. A Gentleman’s Promise, a traditional Regency romance, was Penny’s debut novel and the first of her Gentlemen Series. There are now four novels in the series, with the latest, An Adventurer’s Contract, released in November 2024. Penny also enjoys writing contemporary mysteries with a hint of the paranormal, because where do ghosts come from but the past? The Unquiet Spirit, a spooky mystery/romance set in Cornwall, is the first in the Spirited Encounters Series. Look out for A Plethora of Phantoms coming soon.
Penny lives with her family in Oxfordshire, and when she is not writing, she enjoys reading, walking, swimming, and the odd gin and tonic (not all at the same time).
If you’ve enjoyed any of Penny’s books please leave a review on Amazon, Bookbub, or Goodreads, and let other readers know!
Rating: ⭐⭐⭐⭐
Cover Art: ⭐⭐⭐⭐.
The story follows Calla, who inherits a property in Ireland, possibly from her biological father. After being fired and wanting a way out of her life, she decides to go and claim it, hoping for a fresh start. At first, everything seems fairly normal, but it doesn’t take long before things start to feel a bit strange. Small details don’t quite add up, moments feel slightly off, and there’s this underlying sense that something else is going on beneath it all. The book doesn’t rush to explain anything, which I actually liked—it makes you pay attention.
There’s also a strong romance running through the story. Calla and Colm don’t have a slow build-up—it’s more immediate than that. There’s a clear pull between them from the start, and it only gets more intense as the story goes on. Some of their connection plays out in these dreamlike moments, which makes it feel a bit surreal at times, and when they’re actually together, it can feel quite impulsive and hard to ignore. It adds another layer to the story, especially because it never feels entirely simple or straightforward.
I found it quite a slow read, and that won’t be for everyone. The author really builds a picture up of the background, which I kind of liked, but again, it would not be for everyone.
The ending definitely doesn’t wrap everything up. It finishes on a bit of a cliffhanger, clearly setting things up for the next book. I don't usually like endings to not be resolved, but for this book, I will make the exception.
I began my writing career in the pre-dawn of a winter morning while my husband snored like a train. We could call my husband the catalyst. If it weren’t for him, I would never have gone to the kitchen to make a pot of coffee, feed the cat, and sit on the loveseat in front of the fire. It was there, in those moments of wondrous quiet, that I did something I had never thought possible. I opened my laptop, and while the coffee went cold, I wrote a story. My husband had no idea that these sojourns to the loveseat in front of the fire would become a daily occurrence, that writing would become an obsession, but the cat knew. She knows everything.
I write stories that make you laugh, make you cry, and make you love. Thank you, friends, for reading!
In the beginning, there was an empty page.
I am a writer who lives in Muskoka, Canada, with a husband who snores, a hungry cat, and an almost perfect canine––he’s an adorable little shit.
This book kind of snuck up on me.
At first, I was just settling into it—the world, the characters, all the detail. It doesn’t rush you, which I actually liked. It feels like you’re slowly stepping into the story instead of being thrown into it. And then somewhere along the way, I realized I actually cared—like really cared about what was happening.
There’s this really strong mix of beauty and unease running through the whole book. Everything feels vivid—the castle, the forest, the court—but there’s always something a little off underneath it. Even the quieter, softer moments don’t feel completely safe, and that tension builds in a way that just sits with you.
A big part of that comes from Morag. From the moment she appears, there’s something unsettling about her. She’s beautiful and composed, but it’s very clear she knows exactly how to use that. The way she completely pulls Issylte’s father in—almost like he’s under a spell—is honestly hard to watch. Once she becomes queen, everything changes. The warmth disappears, the atmosphere turns cold, and Issylte’s life becomes much more controlled and isolating. You can really feel how quickly things shift for her, and it makes everything that follows hit harder.
Issylte’s story is the one that stayed with me the most. She just wants freedom, something simple and real, and instead her world keeps closing in around her. The loss she goes through—and the way it’s handled—feels quiet but heavy, like something she has to carry rather than something that gets resolved.
The magical side of the story is also really well done, and I liked that it’s not overwhelming—it kind of weaves in naturally. The forest feels alive in a way that’s hard to explain, like there’s something older and watching just beneath the surface. And then there’s Ronan, the Avalonian elf, who brings in that deeper sense of magic and calm. His presence feels different from everything else—steadier, warmer—but still tied to that same underlying mystery. He adds this almost dreamlike quality to parts of the story, while also becoming something much more personal for Issylte.
Tristan’s storyline adds a completely different kind of energy. He’s from Lyonesse, and his past is honestly brutal—he witnessed the massacre of his family during a Viking attack when he was a child, and that trauma really shapes everything about him . His journey is more physical and driven—training, fighting, pushing himself—but it’s also tied to something bigger. The whole Tournament of Champions and the chance to become one of King Arthur’s Knights of the Round Table, training under Lancelot, adds this epic, legendary layer to his story. It gives his path a sense of purpose that balances out Issylte’s more emotional, internal journey really well.
I also really liked how the setting actually matters. It’s not just there for atmosphere—it shapes the characters and their choices. The pressure of royal life, the expectations, the lack of control… all of that feels very real within the story.
The only reason this is a four-star read for me instead of five is the repetition. Certain phrases and descriptions come up a bit too often, and while the writing is beautiful, it occasionally pulls you out of the moment.
By the end, I wasn’t completely emotionally wrecked—but I was definitely invested. I wanted to keep going, especially with the way the story hints at something bigger still unfolding.
This is one of those books that slowly gets under your skin. It’s immersive, a little haunting, and layered with just enough magic and emotion to keep you hooked. Not perfect, but definitely one that stays with you.
Firevein: The Awakening (Firevein Saga Book 1) By Hanna Park Publication Date: 14th April 2026 Publisher: Baisong Press Print Length: 24...